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As CBBC’s Tracy Beaker, the girl who grew up in a care home, she got into endless scrapes trying to help those who needed a hand up the ladder of opportunity. And in real life, actress Dani Harmer is just as determined to help young people reach their full potential

'Tracy is such a fabulous role to play because she runs the gamut of emotion, often in the same five minutes,' says Dani

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Generally, when I am interviewing someone for YOU, a frisson of excitement-by-proxy runs through my nearest and dearest. My husband perkily shows interest in the finer details of the modelling industry, my daughter pleads for an autograph of The X Factor pop princesses, and my neighbour wants to know how actresses of a certain age stay svelte.

But it is extraordinarily rare to be mobbed at the school gates by polarised parents crying, ‘She’s brilliant!’ or ‘She’s banned in our house; she’s the reason my six-year-old tells me to “Bog off!”’ For a 22-year-old, Dani Harmer has garnered the sort of bouquets and brickbats – and, more crucially, professional success – that most performers twice her age can only dream of achieving. She’s been a performer since the age of six, notched up West End musicals, TV crime dramas and sitcoms, but there’s one big reason why she inspires such strong emotions: Dani is Tracy Beaker.

The corkscrew-curled antiheroine captured the attention of the nation’s six- to 12-year-olds
in 2002 in CBBC’s adaptation of Dame Jacqueline Wilson’s novel The Story of Tracy Beaker. Dani was just 12 when she landed the role. She stayed with it for five series. Her character has become a byword for in-yer-face attitude and fierce loyalty, mouthiness and unshakable self-belief. With her untamable locks and regular looks, Tracy is a modern Just William, albeit shorn of his trappings of privilege and instead living in a care home known by its occupants as the ‘dumping ground’. More poignantly still, she wasn’t even an orphan, but abandoned by a mother who didn’t want her.

‘Tracy is such a fabulous role to play because she runs the gamut of emotion, often in the same five minutes,’ says Dani, with genuine warmth. ‘It was any child’s dream job, hanging out with my friends on set over the summers, which was when filming took place, messing around having food fights, throwing water bombs and running riot. But Tracy Beaker also tackled serious issues: friendship, jealousy, body image, finding your place in the world, the longing to belong.’

From left: Dani in The Story of Tracy Beaker, 2002, and (centre) with her Dani’s House mates in 2008

The Story of Tracy Beaker – possibly the most repeated programme on TV – tends to polarise parents and children, as attested by the impassioned debates on Mumsnet about whether Tracy is ‘the spawn of the devil’ who ‘encourages girls to be stroppy and bad mannered’ or provides a lesson in ‘empathy, behaviour and boundaries’. Tracy is a feisty child constantly breaking rules, getting up to mischief and yelling a lot as she struggles with her emotions. But there is a wayward charm to her too and, occasionally, a touching vulnerability.

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‘Tracy was never naughty on purpose; she had the best of motives for what she did and although some parents can be a bit disapproving, I’ve had a lot of feedback from kids in care who really feel they can identify with Tracy and the other characters.’

Dani has bankability written through her like a stick of rock. When she left Tracy Beaker, aged 16, it was to pursue other high-profile projects, including the role of a self-possessed daughter of divorced Nicholas Lyndhurst in the sitcom After You’ve Gone. On the strength of her performance, she was given her own show, Dani’s House, now in its fifth series. It’s an engaging comedy featuring Dani living in a flat with friends, with surreal touches where she might play an alien or perhaps a potato. ‘I get to mess around all day wearing ridiculous costumes,’ she sighs contentedly.

In 2010 she was lured back by the prospect of Tracy Beaker Returns, which saw her in the ‘dumping ground’ again, albeit this time as a member of staff. It was a good call; the show went on to win a Bafta. ‘I simply didn’t feel that the story had finished and I wanted to know what happened next. I’ve just done two series and I’m about to film my third,’ she says. Allegedly a grown-up, Tracy is nonetheless still prone to ill-conceived impetuosity and crackpot notions that invariably have unfortunate repercussions for those she seeks to help.

Dani, centre, with young people from the Alpha Grove Community Centre in East London, where the Anna Fiorentini Theatre & Film School holds acting classes

When we meet, it is in the Alpha Grove Community Centre in East London rather than the West End hotel typically chosen by most actresses of whatever age. Dani, barely five feet tall, her trademark unruly hair dyed black and straightened (sort of), is dressed in skinny jeans, a floaty blouse with a gothic edge, chains, necklaces, a Swarovski bracelet and battered trainers. She is instantly recognisable and as refreshingly straightforward as her television alter ego – and imbued with Tracy’s desire to help those who need a hand up the ladder of opportunity.

Dani is here to give an acting workshop with the Anna Fiorentini Theatre & Film School, which runs after-school and weekend classes for seven- to 18-year-olds. Paying students subsidise young people whose parents can’t afford the fees, but the numbers are falling, jeopardising the bursaries. ‘I really think it’s important to give something back,’ says Dani. ‘Even if a kid doesn’t necessarily want to become a performer, it’s a fabulous hobby that gives them confidence.’ Former pupils from the school include EastEnders regulars Charlie Jones who plays Ben Mitchell and Belinda Owusu, better known as Libby Fox. Along with the school’s ambassador, another Walford alumna, Michelle Collins, Dani hopes that by giving up her time to coach, she might inspire a new generation to follow the same path that she did.

There were no precedents for the performing arts in the Harmer household in Bracknell, Berkshire, although Dani’s mother Jill has become a children’s casting agent since her elder daughter found fame. Dani’s younger sister Betsy, 17, wants to stay behind the scenes as a make-up artist, and father Andy is a mechanic and chauffeur. Their normal background, says Dani, has laid strong foundations for a solid grip on reality – not always a given among child stars.

‘From the age of three I used to put on shows at home. In fact it was my grandparents who suggested I take drama lessons, so from the age of five I attended Stagecoach drama classes, and a year later I was cast in The Who’s Tommy stage show. I was Tommy as a small child, before he became the ‘deaf, dumb and blind boy’. I absolutely loved it and I wasn’t in the least bit nervous; I didn’t mind people looking at me. I would go to parties with Roger Daltrey and Pete Townshend – my dad was really jealous.’

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Various roles followed, among them a part in the ITV drama Trial & Retribution, starring David Hayman and Victoria Smurfit, in which Dani, then aged ten, played a detective’s daughter for three series. ‘I think I may have been kidnapped or something; the script was strong stuff so I wasn’t allowed to read it all, which left me hazy on the details.’

Dani won a scholarship to Redroofs Theatre School in Maidenhead when she was 12, but it wasn’t the most uplifting of experiences. ‘I always felt like the outsider; everyone was bursting into song at every opportunity and dancing about. It was like being in an episode of Glee 24/7. There were an awful lot of egos and so much showing off. When I got the part of Tracy Beaker there was also a lot of resentment, so I made a point of isolating myself, which subsequently proved quite useful as it gave me an insight into how it feels to be on the fringes.’

She has more than enough acting work to be going on with, although she hopes eventually to make a break into ‘great British movies like Love Actually or Made in Dagenham’. She lives alone in a rented house in Bracknell, near her parents, which suits her: ‘Since I was very small I’ve spent time away on tour or in shows, staying in hotels all over the country, so I appreciate having my own space.’

Her free time is spent ‘vegging’ on the sofa or shopping. ‘I work hard for my money, so I treat myself. I love buying clothes. But I’m thinking about getting a mortgage and starting up a pension, so there’s a scarily sensible side to me too. In this industry you might never work again and sometimes I think there’s a risk CBBC could get bored with me.’

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Bored? Of their most popular star? As if – or, to coin Tracy Beaker’s pithy catchphrase, ‘Bog off!’

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Dani is supporting the Anna Fiorentini Theatre & Film School in London, tel: 020 7682 1403, annafiorentini.com